I’ve started reading again.
Or, more accurately, I’ve resumed reading for pleasure at what used to be my normal rate of 2-3 books a week. For most of the past two years, until a couple weeks ago, I haven’t achieved more than two books a month. Knowing the why of the drop off did not make the dearth of reading any more acceptable to my impatient mind. It’s certainly mind that is now celebrating evenings spent on the couch with a book as a return to “normal”.
Mind had best not get too comfortable with this normal, as it’s a new one, with frequent interruptions to discuss medical terminology questions with my husband and sister-in-law as they work on their respective anatomy and pharmacology studies. I had better not get too comfortable with this new normal either, since it derives primarily from a lessening of my work caseload, and I don’t trust that this easing will endure. It should – my client list is now, after two years of numbers circling ninety, reduced to where it is “supposed” to be, around sixty-five. That’s a full third reduction, bringing my work week down from 60 hours to 45 and freeing time to read for relaxation.
In this past week I’ve been with Rei Shimura back to Japan, and accompanying an itinerant weaver to solve a string of murders in a Shaker community. It’s pleasant to go traveling again, without the stress of packing, driving (I do so much of that for my daily work) and sleeping away from loved ones, in seldom fully comfortable and always unfamiliar beds.
Being markedly less engaged with books these past eighteen months has made me noticeably more sensitive to them now that I’ve returned my attention to reading. In particular, I’m aware of the too frequent typos, words missed out of sentences and similar flaws of production which seem to be a different type of new normal for print publications. Or is this perhaps the new normal for the comparatively inexpensive, remaindered reprints available from discount supply houses, where I frequently shop?
I wish I could afford the $25-30 per book of a bookstore hard cover, but I can’t. I feed my … I started to say addiction to reading, but maybe it’s no longer an addiction?… pleasant habit of reading with acquisitions from second hand stores, and from remaindered and discount house catalogs. Books from these catalogs, in particular, seem to contain frequent composition errors. Sloppy workmanship? Or the results of computer-based typesetting that doesn’t recognize when a word is missing, or a cognate replaces the word that should be in the sentence.
I don’t read e-books. I spend too much time already in front of a computer screen. So I don’t know if e-books are similarly flawed in composition and construction. And I’m not sure whether to hope they are, or that they are not. If they are, then an entire profession that once prided itself on accuracy has fallen into slackness and error. If e-books are error free, then it would seem that a serious disregard for paper books is being made manifest by compositors who used to be in competition for the most perfect, flawless output.
Is my cranky complainer side showing? Am I sounding like a stereotypical older person ranting that standards are falling and are so far from what they were in my younger days? That complaint has been with us at least as long as the works of Homer and Cicero, and probably longer. I choose not to generalize, merely to observe that in my resumption of reading I am encountering more proof-reader errors than I have noticed before.
I will try not to make my own such errors. Now that reading for pleasure is once again part of my days, perhaps writing posts will also pick up a former pace? Please do call my attention to any proof-reading errors you find. I want to keep my own standards high.
Tags: communication, generational differences, modeling, writing challenges
November 16, 2015 at 12:58 am |
Know what you mean about the typos … argh! You sound more relaxed, happier … that’s good 🙂