Archive for the ‘life wisdom’ Category

Small World

November 24, 2013

Have you ever swapped “small world” stories?

Some are simple, like the appearance in the training class for my new job of a woman who lives barely five miles from me in the rural area denoted by a dot on the map called Sapello – a woman I’d met once briefly before, but did not know until we were paired, during the training, for motivational interviewing exercises. Turns out we have a number of common interests, and a shared love of living “on the frontier” as our employer labels the area we serve.

Other small world stories are of more surprising meetings (Coincidences? Fated encounters?)

Two of mine have their roots in my stay in Vietnam, from 1956-1958. I was in my early teens, my father assigned as the economic officer at the U.S. embassy in Saigon.  Ingrid, a few years younger than I, was one of my friends. Both of us were socially awkward, neither of us fully aware to what extent the stresses within our families contributed to that lack of ease. We – in modern parlance – hung out together. After Saigon, Ingrid was sent to a boarding school in Colorado and I moved with my parents moved to Paris. She visited once, briefly, during those three years I lived in France. Then we lost touch.

Blaufarb Family with My Mother and Me Behind Them

Blaufarb Family with My Mother and Me Behind Them

Skip to four years later, my junior year in college, and a trip to New York City.

With my then boyfriend Ray, I was on a date that included a meal at the Russian Tea Room. We walked into the dining area, and saw before us a large family group seated at a round table. Ray started forward to greet one couple and their daughter Pamela, a former girlfriend from his high school days. I started forward to the same table to greet Ingrid’s parents. Ray and I looked at each other. “You know these people?” he quizzed me.

“Yes,” I replied. “Those are the Blaufarbs, parents of my friend Ingrid.”

“Pamela’s aunt and uncle. I’ve been told about them.”

I didn’t share with Ray how immediately I felt transported back to the tropic heat and teenage anxieties of Saigon, where I’d heard too much detail about Ingrid’s socially popular cousin Pamela!

*******

My second Vietnam-based story begins at its end, tying Saigon to Sapello. One of the people working in the office of my vet is a tall, energetic woman a few years older than I, named Susan. She is the sister-in-law of Louie, who trained my younger mare, and with whom I became friends when I first moved to Sapello in 1990. At some point in my on-going  conversations with Louie, it came out that his sister had “run off with a Frenchman” when she was in her late teens, and that the siblings had only reconnected many years later, when they both settled back near their mother. in the Sapello area.

Louie told me that Susan had gone to work for “our” vet when he set up practice about three miles from my home. On my next trip in with an animal in need of care, I met Susan. Remembering what Louie had told me, I mentioned that Susan and I had a connection of both knowing French. The next few sentences revealed that we both learned our French, not in Paris, but in Saigon. We had both spent leisure time at the Cercle Sportif, the “club” where we swam, played tennis, and in my case took classes, and performed the French Can Can at one of their “spectacles” – shows put on for the enjoyment of the members.

Contemplating a Plunge

Contemplating a Plunge

Susan’s time in Saigon preceded mine – she left in the spring before the October that brought me to Vietnam, just in time for my 13th birthday. Susan’s Frenchman, whom she married at seventeen but divorced just a few years later, was the older brother of Marie Claire, with whom I became friends in the dance class, and with whom I performed that Can Can.

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Ingrid now divides her time between New York and Maine; her son went briefly to Swarthmore, where Ray and I attended college. Looking through a Swarthmore Alumni Bulletin sent to her son, Ingrid found an essay I’d written. Through the college, she obtained the information to once again contact me, some forty years after our last encounter in Paris. I’ve since traveled to the East Coast. We met for an afternoon. Ray recently traveled west, and we also met after a parallel forty year gap, as I recounted in a post this past summer.

Meanwhile, Susan is retiring from the vet’s office for a combination of reasons, including the fact that the vet is introducing a complex new computer system to the practice. Susan “does not get along well with computers” and decided the stress of trying to do so would be an unacceptable strain on her health. I’m feeling vivid kinship with her now, as I try to understand the complexities of the several computer systems I must master in my new job. I don’t share Susan’s aversion to computers, indeed feel fairly comfortable with them – or thought I did – until I encountered the multiple encrypted layers of security that must be understood to navigate around a health provider’s regulation-compliant system. Thank heavens, Presbyterian’s tech support is a seven-days-per-week operation!!!

I expect I’ll still see Susan occasionally, as we live quite near one another and have overlapping interests. I’m in intermittent contact with Ingrid, and with Ray, by email. If the occasion arises for me to introduce them to Susan, will that somehow close a loop that stretches over fifty-five years and around half the world? Linkages through the Internet, which enable me to “chat” simultaneously with a friend in Singapore and one in Norway, have already made the world much smaller, but enjoyable as they are, those conversations don’t have the same feeling of “oh my, how amazing” that accompanied my encounter with the Blaufarbs in New York, or with Susan at the vet.

Is it just me, or is it something to do with the life experiences of my age group, that makes the face-to-face connection of a small world encounter more precious than even the most globe-encompassing Internet link?

Disconnects

November 17, 2013

It’s odd how easily what seems like a simple communication can be misunderstood. I received a spread sheet from one of the higher ups at my new job with a label of “Staffing and Skill Set”. It only listed two of the six areas in which I have skills. I replied with a query regarding why my other four skill areas were not shown. Then from a co-worker I heard that the spread sheet is meant to indicate the areas of specialty to which we are being assigned. OK. Those two are fine with me. I replied to the emailed spread sheet with that acknowledgement, only to learn from my manager that the sheet was indeed meant to cover all our skills. Full circle, confirming a gap in communication.

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This morning I tried to complete online registration for the 401(K) I’m eligible to participate in, through my new employment. The managing company’s form kept giving me error messages related to the amount of contribution I wished to make, although the money is already being deducted from my check in accord with a paper application I completed through my employer’s Human Resources office. The online form doesn’t provide options for non-traditional contributors like me, who are not restricted in size of contribution, due to already being over retirement age. Nor is there any way to communicate this information without waiting until next week to call and – presumably after punching lots of irrelevant buttons – hopefully reach a person with whom I can talk through my situation.

*********

Last week, I joined a group of my classmates (all career women, all aged early 40s and up) in the bar area of the hotel where we are housed during orientation. We were taking advantage of the free drink per person, and light snacks, offered by hotel management as a thank you for our extended stay. That evening was our last together, at the end of our five weeks of orientation, before we dispersed back across the state, to work from home.

We progressed from drinks to dinner, and from talk about our training and upcoming new responsibilities to more personal sharing of events in our lives. Unaccustomed to this sort of socializing, I mostly listened – and laughed at some of the wryly told stories. Young teen offspring wanting tattoos led to the revelation that the person we all thought least likely to have one actually had three. She showed them to us, discretely – breast, hip and lower back. Another woman stood to reveal her numerous decorations on legs, arms, neck, lower back – and one that remained hidden because she said she couldn’t reveal it without stripping off her top.

She did not hesitate, however, to offer up her (clothed) chest for “a feel” of her saline implant breasts in response to a query from the woman sitting next to her, who recently underwent a double mastectomy.

At this point, we became aware of the lone male in our vicinity (by that time the only other patron in the area) whose attention was fiercely glued to his smart phone. He appeared to be in his 50s, muscularly well-built and attractive, grimly determined to ignore the behavior of our cheerfully frank and laughing group. We did, briefly, consider inviting him to join us. Embarrassing? To him, or to us? No, just funny – and a reversal of experiences we have all had, being professional women who occasionally go alone into predominantly male environments.

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Direct deposit of pay is mandated in my new work environment. I expected to receive a pay stub, or some similar accounting of the allocation of my money, when the disbursement was made, but so far nothing has arrived. Maybe there’s a place within “my” portion of the employer’s website to find this data, but if so I haven’t been introduced to it yet. It is, for me, a singularly uncomfortable feeling that changes are being made to my bank account virtually without my knowledge. A lifetime of instruction on the importance of being in control of my financial status is totally undermined by processes that seem designed to “go behind my back” and wrest that control away from me.

Communication is connection.
A feeling of connection is important to emotional well-being.
Why then is so much of everyday experience so disconnected, misinterpreted, overlooked, or ignored?

ERRor, ErroR, ERroR, ErrOR

One of a Kind

November 2, 2013

It’s a gorgeous, sunny, crisp yet warm autumn afternoon. I’m driving down from my home at 7500 feet towards Albuquerque. Down as in south, down as in descending to the city’s 5000 foot altitude. I pass from full-color glory of cottonwoods in deep gold, dotted here and there along arroyos which occasionally run but are now dry, to clusters of trees beside small streams which show a mixed blend of yellow tones. Here and there on hillsides I see an occasional, rare in the desert, sprinkling of red leaves where scrub oak is doing its part to show off. Wishing I had time to stop and take pictures at each of the scattered sites, I slow down and drink in the brilliant color enhanced as it is by a bright sun and a postcard-perfect clear blue sky.

An Arc of Gold

An Arc of Gold

Much of the land is once again brown, grasses dried and earth showing little sign of the week of heavy rain that caused flooding in New Mexico as well as Colorado. Oh, you didn’t know that we had floods? Not surprising. When it comes to national reporting, New Mexico doesn’t exist. Our flooding was not mentioned; our drought is equally overlooked, although we have officially been the driest state in the nation. Only when Los Alamos lay in the path of wildfire, and last year when the biggest wildfire raging in the country ate tens of thousands of acres southwest of Santa Fe, did New Mexico make the news. “Listen my children, and you will hear…” stories like those handed out to tourists in a booklet entitled “One of Our Fifty is Missing”  –  but that is the subject of another posting.

On the Prairie

On the Prairie

The rain is gone. One week in August, then a torrential week in September that dumped more than the land could absorb – now we’re once again living with drought, seeing long stretches of dun and tan prairie grasses, and encountering bears on the edges of our communities, some even making their way into the center of large cities in search of food. Acres of monochrome are suddenly interrupted by a line of golden cottonwoods. Looking out across the prairie, those trees beckon with the promise of a water course. Many of these small rivulets are dry, their banks eroded by the flash floods which accompanied that week of September rain, sometimes to the point that tree roots are exposed. Tree roots reaching down deeply, to what little is left of moisture; tree roots anchored in brown to give life to riotous gold.

A Survivor

A Survivor

I pass yet another cluster of trees about ten miles south of Santa Fe, and see cars pulled off the side of the road. Looking more closely, I spy a group of artists, easels lined up, some standing, others on camp stools, each of them trying to capture autumn glory. I wish I could stop and join them! Instead I continue down the highway, across dry flat lands, then down one last hill. Spread out before me is the bosque of the Rio Grande, a wide and many-miles-long swath of cottonwoods, in every possible shade of yellow. It is almost too much to take in – acres of dancing golden tones sating the eye to the point that I must look away, watch the highway and the traffic, overfull.

As I enter Albuquerque, I find myself searching out the occasional red of an intentionally-planted maple (they are not native here) and wonder if the householder responsible for the tree is, like me, originally from the East Coast. I delight in the rare splashes of red in equal measure as I responded to the occasional golden cottonwoods earlier in my trip.

Rosy red

Rosy red

I remember autumn in New England, red upon orange upon grape upon wine, each color seeming to stand out and be enhanced by its subtle differences from its neighbors. I never tired of those shades of red in the way that today I ceased to be drawn to the yellows in the bosque.

Neighbors

Neighbors

I perceive that, because there were so many different types of trees producing multi-hued woodlands, autumn in the East, with its continuous experience of changing colors, did not become “too much” in the way that miles of yellow upon yellow have exhausted my ability to be inspired. I ask myself how much variety is enough to keep me from becoming sated? Is it actually variety that is important, or uniqueness? A clump of cottonwoods in a landscape of tan grasses is unique. A brilliant red maple stands out against an orange-toned oak whereas, in an acre of similarly colored trees, each cottonwood loses its distinction.

Do we not all strive to find our own unique color, to stand out from those around us?

Some of us are more strident, others quite subtle, but all of us seem internally driven to find a way to express individuality. Undoubtedly one of you readers will have objected that the acres of yellow in the bosque, the totality of which I found to be ‘too much’, would have delighted you with its abundance. The open, empty plains that I find soothing were frightening to my mother. On her one visit to New Mexico she felt unpleasantly vulnerable, as though naked and exposed. I, by contrast, feel invaded, almost assaulted, by the intensity of human activity in urban areas.

Standing Out

Standing Out

Going out for a walk after orientation class has ended, I find a patch of grass littered with slim, deep red leaves. I don’t know what sort of tree they have dropped from – I’m not an educated botanist. I do know that I’ll keep the handful I collected on my desk in the training room, until they turn brown and brittle. And to have them longer, I’ll photograph them to upload to my screen saver, along with pictures of cottonwood and of maple branches lit by late afternoon sun.

Red Delight

Red Delight

I may feel sated in the bosque; I will delight in retaining reminders of this colorful day, replete with images that speak to my soul while teaching lessons about the value of individual differences.

Words of Communication

October 26, 2013

Driving down I-25 toward I-40 in Albuquerque, I passed through more than one weaving section – those complicated stretches of road where it seems everyone is trying to get into a different lane, coming up from an on-ramp or trying to reach the off-ramp or to position themselves for the upcoming interchange where two major roads meet or diverge. I know the term weaving section courtesy of a transportation planner with whom I had a relationship a very long time ago. He also taught me to drive competently and safely. Thank you, Ray.

Once through the series of weaving sections, I traveled from southbound I-25 to eastbound 1-40 via a flyover – or that’s what my British friends would call it (I know the term courtesy of all the British authors I’ve read over the years). A flyover is the part of the interchange that takes you up and over other lanes of traffic, what we in America call an overpass. As I passed over (flew through at high speed) the interchange, I remembered a number of other lessons in American versus British English, these taught me by my Uncle Eric and Aunt Hilda in Sheffield when I was still a teenager. In (I hope) mock horror Hilda scolded my use of wash cloth (only for cleaning dishes) when what I wanted was to clean my skin (using a face flannel). She was also upset that I called her garden (grassy with flowers) a yard (bare dirt or pavement). And she made it clear that the soil in her garden was earth, not dirt!

My venture into reflection on terminological differences arose following my attendance at an emergency planning conference – more properly the New Mexico Local Emergency Planning Committee Annual Conference – at which a number of intelligent, engaged, caring and thoughtful people tried to convey their knowledge and expertise to a largely receptive audience. My problem with the conference was not in participation, nor content, but in the strange transmogrification which occurred in the speakers – from competent communicators to committed users of stilted government-speak. Several of the presenters tried to include humor in their talks; all had the ubiquitous power point at hand for support; some also added pictures and graphics to illustrate key points. But the bottom – common – line amongst almost all of them was their use of that strange obfuscation which passes for communication within bureaucracies.

Ah, you’ve noticed my inclusion in these paragraphs of big words. It’s fun, sort of, to fall victim to that of which I am complaining. Here, I’m changing my usual form of communication for fun, and with intent. The presenters did not alter their delivery for fun. They seemed, rather, to feel the need to assume a formal persona because they were presenting a talk. As though who they are/how they speak normally was not good enough or important enough to give a conference presentation. One exception was the only attorney to make a presentation – he is so at home in his public delivery that there was no discernible change in him (except voice projection) when he stopped chatting over lunch and stood to give the luncheon address.

I’ve coached students learning to write essays for school, and encountered a similar perceived need to drastically alter their manner of communicating. One teen with an engaging ability to tell stories, when asked to turn the story he’d just told into an assignment for English class, became the written equivalent of tongue-tied (pen-tied, computer-tied?).

“How do I begin?”
“Just start telling your story.”
“I don’t get it. How do I begin?”
“Pretend you’re talking to me and just put the words on paper instead of speaking them.”
“But how do I start? Where do I start? How far back should I go, to get the reader to understand what the story is all about?”
“How far back did you go when you told me the story just now?”
“I didn’t have to go back because you know me.”
“So pretend the reader knows you and start the way you started with me.”
“But the reader doesn’t know me and might misunderstand.”
“Write it like you’re writing a letter to me, then. You know I won’t misunderstand.”
“So do I start with “Dear Ms. Sebastian”?”
“If that lets you get into your story, go for it.”

It would seem that wanting to communicate, for many people, contains within itself the root of lost ability to do so! It is a painful truth for stutterers, that the more urgently they desire to speak, the more inhibited that speech is likely to become. Some stutterers overcome the problem by taking singing lessons. Next, they think of singing their daily speech, and the words come out fluently. I aimed for a similar transfer of skills with my encouragement of my writing student to tell me the story on paper just as he’d told it aloud. He did write me a letter, then transferred the body of the story to essay format, and got a good grade on the paper.

I’m convinced that effective communication – whether in a formal presentation or a chat over tea in a garden – is not about the words one uses, not about the style, but about having a comfortable sense of oneself, and an intent to communicate. The presenters at the conference became ensnared by their efforts to appear as some formalized image of themselves, perhaps labeled “the professional”. The student, a natural story teller, was blocked by replacing his intent to communicate with an intent to “be a writer”. Many people, convinced that they won’t be understood, don’t try to express themselves at all, and become the fulfillment of their perception, going sadly misunderstood through life.

The simplest injunction to give to someone undertaking a new communication task is “be yourself” – yet it is also, often, the hardest one to manifest. How many of us really have “a comfortable sense of ourselves” that we are willing to expose through our written or spoken words? To become a good communicator then, there are in fact four necessary steps:
1) Know yourself
2) Be yourself
3) Trust yourself
4) Express yourself

Just four steps – but ones it often takes a lifetime to learn.

It’s No Coincidence

October 19, 2013

This piece has been written in sections, over time. I began it back in early August, completed it just a few days ago. Gaps in time are indicated by a change in typeface, as well as by subsection dividers.

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It’s no coincidence – I’m certain it’s no coincidence – that I spent time this morning writing out my answer to the question, “What do you fear about moving forward?” and within half an hour of finishing the exercise, received a phone call giving me the opportunity to push into fast forward. I accepted the offer (a well-paid job doing work I generally like) despite my identified reservations. Identifying the reservations let me see that they are not insurmountable challenges, merely conditions which will necessitate new adjustments to my schedule, diet, work habits, writing goals.

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Nor is it coincidence that things come to hand just as you need them. I’ve been having a discussion with writer friends, and reader friends, about how to intermix inner thought with third person narrative in my novel, in a seamless way that will pass muster with editors. (Editors are known to object to the mixing of points of view). Various suggestions have been made, including using italics for the thoughts. I tried the italics and don’t like them – they jar my awareness, as a reader, pulling me out of the flow of the story to register the fact that some change is being made apparent. I also rejected elimination of the self talk/thoughts/inner monologues solely in order to meet a style ‘rule’ that I know has elsewhere already been broken.

Ready to turn my novel rewrite back on itself, and find a way to signal shifts to first person without the jangle of italics, I was forced to turn off my computer and unplug from power to assure protection of the equipment from a fierce thunderstorm raging overhead. Reading lights have been flickering as wild electricity jumps from the sky to disrupt the flow of its domestic kindred through the lines in my house. I picked up the book I’ve been reading – Dorothy Sayers’ Busman’s Honeymoon – and there before me was a chapter of exactly the sort of intermixed action and thought I’ve been considering. It works – it reads smoothly, no italics, only here and there a couple sentences set apart within parentheses, which I find an unnecessary distinction. A separate paragraph would be equally effective and clear.

Posing the question to the LinkedIn group Authors, Writers, Publishers, Editors and Writing Professionals brings more valuable input, including recommendations for good reads which effectively mix first and third person viewpoints. I have my answer – a good writer can pull off the violation of rules. It is up to me to assure that my writing is good enough to do so.

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That I write well is no coincidence.

It is the product of early indoctrination, a great deal of practice, and continuing learning. I finished a blog post (Ba Gua Lessons) in the morning, and then at noon participated in Lesley S. King’s free telephone class on vivid writing. She offered the session, full of helpful guidance, as an example of what one can experience taking a writing workshop she will be producing soon. I hung up from the hour and went back to review what I had written earlier.

Look Ma, I used present tense, active verbs, multiple senses… I hope I engaged my readers, asking questions, encouraging the possibility of dialogue. But I can do it better, as evidenced by my desire to tweak a sentence here, add a challenge there. What I gained from Lesley’s class was a framework for evaluating my writing, a standard against which to stretch myself further. Good writing is fun, it’s my passion, I don’t consider it work… but it does require effort, absence of ego, an open mind, curiosity, and an unfettered willingness to learn.

It is no coincidence that my encounter with Lesley – who encourages writers to build a career from their writing passion – comes at exactly the moment when I am choosing to once more put writing into second place in the prioritizing of how I spend my time. My new job will initially require enough attention that I can meet my commitment to myself and my readers with weekly blog posts, but am unlikely to do much more about building my platform (the latest word for audience), or marketing my novel.

I am not abandoning a writing career; I am accepting that I’ve been offered an opportunity to do something else I care about (assisting others to access services which help them live their fullest potential despite health issues), and to meet an external financial need, while I learn to maintain a balance between competing interests. Not an either/or choice, but an integrative one. Continuing to write is a crucial part of “taking care of myself” – that imperative frequently stated but not so easily implemented. One of my writing projects, a book of creative suggestions for managing the challenges of Parkinson’s, will undoubtedly be furthered through my new job.

Mind likes to create dichotomies. It suggests that just when my focus on writing is beginning to morph into a career, the rewards of my efforts are being taken out from under me. Mind might think so, but I don’t! Instead, I’m being offered the opportunity to meet both outer and inner needs, to manifest balance not only in the activities to which I give my attention, but in the way I blend social interaction with quiet time, and productivity with stillness. I don’t know yet how this balance will manifest; I’m looking forward to discovering the various ways it will express itself. The one thing I do know, with certainty, is that its place in my life at this time is no coincidence.

Ba Gua Lessons

October 12, 2013

As I count down the days until the start of the intense training period for my new job, I find myself in yet another dichotomy. Do I laze about as much as possible, wallowing in the freedom-to-do-nothing that is about to vanish from my life? Or do I begin a disciplined adaptation to going to bed earlier, getting up early, and organizing my days to accomplish tasks that it will be hard to fit into my upcoming schedule? Or, more practically, do I aim to achieve a balance of both tendencies?

My acupuncturist/friend/wise-teacher commented that it is often the case that moving to the extreme of yin (doing nothing) pushes one into yang (activity) so that resting instead of participating in activities can be an excellent preparation for the burst of energy that will be required of me. I liken this approach to the one I’m learning from the same friend and teacher when we practice Ba Gua, wherein movements are designed to “coil” muscles like tightened springs, until the point of release. The force of the release may serve as the attack (the martial part of the art) or may be contained and redirected into intensifying the next coiling movement.

It’s difficult to consider what Western culture calls laziness and idleness as appropriate preparation for a required, new and busy schedule. In that mentality, I definitely should already be adhering to the new (yang) schedule of waking, and filling my days with tasks, accustoming my body to delivering energy and clarity of mind across the ten or so hours of an upcoming busy day. But what happens if I rename the preparation period (the yin) in an Eastern fashion, and say that I am practicing stillness and emptiness? Then I am setting up a powerful contrast, with the potential for sustained energy emerging from the containment being practiced this week.

What a difference a few words make! Try them out. Spend a chunk of time playing solitaire, or just sitting and watching the wind blow the drying grasses of autumn.

Bosque del Apache, New Mexico

Bosque del Apache, New Mexico

Call yourself idle and lazy for failing to do something constructive with your time. Then, rename that time as allowing yourself to be still and mindless, outside your usual sense of yourself. Which set of terms weakens you? Which seems to relax and yet energize you?

To a large extent, even when I’m not engaged in writing, I live my life through words. My grandfather taught me the importance of choosing the right ones, when he talked to me about his poetry. His choices were in Hebrew, and constrained not only by the meter and rhyme of his verse, but by his dedication to purity of the language. (Words created for items that did not exist in ancient culture should, in his opinion, follow the traditional structural frame as to number of consonant sounds).

My experience of parents whose behaviors were often in contradiction with their words led to my dedication to accurate and clear communication. A lonely and isolated childhood built my desire for connection with others, and to the understanding that communication is a two-way street. I do not communicate when I talk (or write); I only communicate when what I say is heard and understood by another.

For others to hear and understand me, I need to understand them – hence my choice of psychology as a major in college, and my continuing interest in neurology now. Also my engagement with the several programs I lead or teach (including Alternatives to Violence Project and Chronic Disease Self- Management), both having to do with learning concepts that help one direct and control behavior.

Which brings me back to Ba Gua, teaching my body new ways of moving, and simultaneously reinforcing flexibility of mind. And back to the importance of just the right words – stillness and emptiness creating a vacuum which attracts energy, to be stored and contained until it explodes into action. So much more sustaining than to label my down time as idle laziness that should be filled with doing.

The first time I attended a feast day dance at one of New Mexico’s Pueblos, I observed a dancer carrying an old-fashioned alarm clock, the sort that is wound with a key, ticks loudly and has a clanging alarm. The dancer teased non-Native observers with the clock, shaking it in our faces, setting off the alarm suddenly and startling visitors with its discordant noise. Eventually, he tossed the clock away and joined the line performing traditional steps in a mesmerizing, repetitive pattern. Time did then disappear, as spectators and participants focused totally on what was happening in the moment.

I suggest that much that we like, whether a good book, a particular hobby, an activity, or a piece of art or music is liked precisely because it has the capacity to capture our attention strongly, and thus to eliminate our sense of time and ego. Being present in the moment with the object of our attention creates a satisfying energetic stillness, and an expanded sense of connection, of capacity, of self.

Those fortunate individuals who are able to combine such likes with their means of employment do not describe what they do as work. They are more apt to describe a career as pursuing a passion. Those less fortunate in the choice or conditions of employment go to work, and then try to find free time for pleasures to balance what they have sacrificed for the earning of income.

You may have noticed in previous posts that I have not called my new job “work”. For the past eighteen months, I’ve been able to live mostly in the present moment, doing what is in front of me to do each day. I really like this way of being. My intention is to continue in this manner, acknowledging that there will be more things in front of me to do, in many of the upcoming days, than there have been in the past ones. I have determined not to change my approach to the doing of them. I will find energy for the doing by assuring that I remain centered in being.

As my body improves its stability and strength through Ba Gua practice, so too my mind – and its use of words – expands its capacity to “hold the tension of opposites” and to achieve balance. For important external reasons, I am starting a new job. For vital internal ones, it will not be work. Activities required of me by the new job will be integrated into the pattern of observing, of writing, of being that has nourished me of late.

Please, if you notice that I’m falling away from center, alert me! If my words seem poorly chosen, my posts less reflective, give me a nudge. I need to know that I’m continuing to communicate with you, not slipping into a stress-driven rant.

Thank you for reading, and for feedback.

An Appreciation of Habits

October 6, 2013

Interesting how many unthinking habits are revealed when the pressure tank in the well fails, and a household is without water! Over the years, we’ve been waterless several times, for different reasons. The most difficult was the winter it got down to 30F below and someone forgot to leave faucets dripping, resulting in a frozen water line. That time it took 4 days to restore water flow, fortunately without associated broken pipes. Four days of not being able to flush toilets, or easily wash hands. Of hauling water in three gallon bottles, doling it out in dribbles for washing with a cloth in the sink, “birding off” as a friend used to call it (another acquaintance used to refer to the same process, I know not why, as a whore bath).

This latest episode of being without running water lasted only a little over 24 hours, in warm enough weather to need to shower, not just dab and dry. I gained experience at showering without access to running water back in my early teens, when we lived in Saigon.

Our House, a Very Very Very Fine House - Saigon, 1956

Our House, a Very Very Very Fine House – Saigon, 1956

Water only flowed in our housing compound for about two hours a day. The live-in maid would fill large vats with a hose from a standpipe, then carry buckets up to the bathroom whenever someone needed to bathe. Showering became a matter of pouring a bucket over oneself, soaping, pouring another bucket to rinse, and drying off. In the steamy heat, two or even three showers a day were necessary. A five person household used a vat of water just for bathing. The second vat supplied water for cooking and mopping and hand washing.

In those days, I also learned how to throw a bucket of water (the third vat’s supply) with just the right force, at just the right angle, into a toilet to force it to flush. In recent days, I learned I am still able to shower by the bucket, but have lost the knack of the toilet flush. Or maybe modern toilets are less amenable to alternative flushing procedures? In any case, the knowledge of how to manage without running water rose up from depths, at the same time as I caught myself automatically reaching behind to flush the toilet that had no water in its tank. Knowing there was no water did not stop the unthinking hand gesture.

How many other actions of daily life, including much less mundane ones, do we unthinkingly perform? How many aspects of our routine do we take for granted? And what about people… how often do we take them for granted? Or respond to them out of habit? Or respond to a present situation with an inappropriate habit learned in childhood?

Regrettably, my mother was only able to experience disappointment with life. She had a unique knack for projecting that disappointment, ensuring by her actions that anything I looked forward to with happy anticipation would fit her world view, and therefore not materialize positively in my life. My childhood was one of fearing to express what I wanted, since to do so was to assure it would not happen. Put differently, I became ingrained with the behavior of waiting for the other shoe to drop. As I matured, left home and began living my own values, I gradually freed myself from maternal negativity, and experienced lots of positives. Life brings mostly what one looks to receive from it – and I look with curiosity for new opportunities, good friends, and spiritual growth. I’ve been blessed to receive an abundance of all these.

So – how surprising to discover, in recent days, that a corner of my being is busy defending itself against a shoe dropping, in relation to my upcoming new employment! Why am I suddenly hearing myself reason that I should delay certain purchases because one should never “count chickens before they are hatched?” In ten weeks of living and working on the Maine coast at a home without electricity, I ‘forgot’ the habit of reaching for a wall switch when I entered a dark room. So why do I, after 50 years of living away from my mother’s fearful negativity still subconsciously duck and cover in response to upcoming positive and desired changes?

The Habit of Following Along

The Habit of Following Along

Well, at least I recognize the old emotional habit and can now practice setting it aside. I hope I have more success breaking that pattern than I’ve had with the one that leads me to look up to the right as I leave my living room. For nearly 20 years I had a clock on that right-hand wall – it’s been gone for 2 years now but I still glance there to see the time. And then laugh at myself. I suspect that being able to laugh at practicing an outdated habit is a step in the direction of letting it go, so I will chuckle to myself if I fall back into emotional duck and cover. What better way to switch over to a positive attitude?

And I do intend to retain the habit of washing with minimal water, although not the bucket method needed so recently. Collecting the water that accumulates until a suitable temperature is reached, and turning off the shower while soaping up, have become common sense habits in our continuing drought-plagued environment. Hmmm… I wonder, if someday I move to a place where water is abundant, will my water-saving habits endure?

Sounds of Silence

October 1, 2013

First, I should explain that a different type of silence was imposed on me over the weekend, preventing me from putting up this post when I intended to do so, on Sunday afternoon. The internet link at the motel where I was staying was somehow incompatible with my computer, and the IT people weren’t able to reset it properly. I am back home, and once again connected – able to ‘speak’.

Thank you for patience, for reading, for following, for being there.

Niki
**************


Noise pollution is one of the issues not being adequately discussed in relation to my county’s examination of a proposed fracking ordinance. I brought the topic into the discussion, and I have to keep raising it as others focus insistently on water quality and scarcity, and contamination of the air and soil. By comparison I suppose noise can be considered a less significant negative – but not to me.

I live in the countryside – what most people would consider a truly rural area. My small 900 square foot house is set back from the road, on four acres, abutting a several-hundred-acre ranch. I have three neighbors – houses close to the road with entrance driveways off it, in a cluster with my own entryway. Across the road are two more homes. Most of the time, those neighbors are quiet – so much so that I wonder if they are at home. No loud parties, nor growling outdoor machinery.

I do hear traffic on the highway. My house is situated on a hill toward which the road heads before it veers off, resulting in the longish driveway that snakes from the road up over a hill to my front door. Sitting in my living room, looking out its floor to ceiling windows, I can see a section of the road, and all the vehicles that travel up and down it. I cannot see – but can hear clearly – the heavy trucks and the rattle of gravel excavation that is going on a further 2 miles away, on a section of land that “ought” not to be considered to be in my neighborhood. Something about the lay of the valley funnels that noise straight up to my house.

The gravel operation is new this summer. I don’t know yet if I’ll notice it when my windows are closed, but I am very aware now, with windows wide open, of the days it is running and those, like today, when it is not. Perhaps I’m more sensitive than other people to the ambient noise within which I live?

I do not like to have music playing “in the background” of my days. I work better, think better, live better in silence. I enjoy music, go to concerts, play records (there’s an oldie for you) or CDs with intention to listen to them – emphasis on the intention to listen. If my intention is to work, I prefer to do so in silence.

Undoubtedly, that preference has something to do with my enjoyment of Quaker Meeting, and Buddhist zazen sessions, as well as my own daily spiritual contemplative practice. Undoubtedly it also has something to do with my appreciation of the skill of the young musicians from Curtis Institute who performed Britten’s Quartet #3 for Strings at a recent Music From Angel Fire concert near my home. Two of the piece’s five movements, including the last one, end with a prolonged silence defined by the musicians holding their bows immobile above the strings of their instruments until, as one, they relaxed in their seats, signaling the end of the silence that was part of the movement, and the beginning of the silence into which the audience could inject its noises of appreciation.

Once before, many years ago in Boston, I attended a concert which featured a piano performance that included long silences as part of the piece, and then too I was able to ‘hear’ the difference in quality between the silence that was integral to the music, and the silence of the piece’s end. That time, as I recall, I had no visual cue. I was sitting too far back, in the cheap seats, to see the pianist’s hands. I could only rely on my ears, and the pianist’s flawless sense of timing, to distinguish when musical silence transitioned to an appreciative silence from the audience, which in turn transitioned into loud applause.

A few of my acquaintances seem to understand what I mean when I express my awareness of the difference between the silence of Quaker Meeting, and that in a Zendo. Even the famously silent Meetings (the oldest, historical ones in Philadelphia) which I have attended, have a busy-ness to them, a sense of minds occupied with focused reflection, that is distinctly different from the no-thought silence of a practiced group of Buddhists in meditation. And different again from the life in silence of the Benedictines (and their guests) living at Christ in the Desert Monastery. Different yet again from the experience of many hundreds of chelas (students), attending to the silent communication from our Beloved Teacher at a MasterPath gathering. Dare I say that there are many different sounds of silence?

(Yes I know the Simon and Garfunkle song The Sound of Silence. It doesn’t fit into my narrative because the song is about the negative aspect of silence – silence as a barrier to communication and a symptom of loneliness.)

We seem, in the modern urgency of tuned-in lives, to have forgotten the old adage that silence is golden. We settle for the silver, the copper, even the dross of noisy, busy “I’m somebody, doing something important” daily life and think we are fulfilling ourselves. Just yesterday, I had a Facebook ‘chat’ with a young friend who is torn between his desire to study the classical languages necessary to read ancient Buddhist texts in their original, and the supposedly practical necessity of getting a degree in a subject that can lead to a job. How practical is it, to go against one’s nature, to ignore the still, small, inner voice directing one toward a path of spiritual fulfillment, in favor of a loud, outer, boisterous demand to focus on earning a living?

Inside golden silence, there is much to hear and learn. Whole worlds of perception, of wisdom, exist within our inner silent spaces. Would that we all, individually and collectively, were more insistent on spending time in that beautiful silence within! Would that we all, individually and collectively, could share the golden wealth to be acquired from listening to the songs of the Divine played so beautifully within us. Listen…. and you will hear…

The Tools of our Trades

September 23, 2013

I make it to the New Mexico State Fair just about every year, including this one. Some events, like the Fine Art show, and the Hispanic, Native American and African American art and cultural shows are housed in permanent buildings not too far from the entrance to the fairground. To get to them – and to all the other “housed” activities – one must walk past a midway full of rides and also past clusters of food booths selling barbecued turkey legs, ribbon potatoes, lemonade and – this year at least – such exotica as frog’s legs and fried ravioli on a stick.

Next one must negotiate the plethora of booths filling both sides of the main “streets” of the grounds. These are all commercial. They offer multiple opportunities to acquire surprisingly similar items, from painted faces to sports memorabilia and cell phone accessories, purses, dresses, make up, the latest fads in hair adornment, and cheaply made but not cheaply priced glitz jewelry.

Farther into the grounds are a Spanish village and a Native American village where culturally traditional items and foods are sold, and groups perform appropriate music and dances. Also near the middle of the grounds is a large building housing the many types of items we older folk associate with the shop and home economics classes that used to be mandatory in all junior high and high schools, but which now seem only to be found in the context of career programs at community colleges. Wood workers, quilters and seamstresses, experts in home canning and baking submit their finest products in hopes of winning a coveted blue ribbon.

Nearby there is also a space for flower arrangements. Other hobbies are represented as well. I acquired a book mark with my name in exquisite calligraphy, and watched two ladies carefully making lace, twisting bobbins around the pins which mark out a pattern. I remember seeing the famous lace makers of Bruge, in Belgium, sitting in the sun and chatting as their bobbins flew in complex designs they knew by heart from a lifetime apprenticeship in an ancient craft.

One has to complete a long walk across the full length of the fair’s main street in order to get to the true core of a state fair – the animals.

4-Hers and adults spend years breeding to obtain a perfect specimen to enter into their county competition before advancing to the state fair. Horses are trained to perform complicated maneuvers, mule and draft horse teams pull wagons or increasingly heavy loads on sledges, demonstrating their ability to perform the classic work of a ranch. Judging the quality of livestock is a learned skill, often passed down within families. As I walk along stalls with handsome palomino heads protruding to be admired, I overhear a discussion of which judge will be in charge – competitors clearly have their own favorites.

There is much less foot traffic at the livestock end of the fair grounds. Kids tug their parents to the petting zoo and pre-teen girls congregate in the open space between the rows of stalls where their horses wait with them to be called into the ring for their classes (the level of competition each has achieved, showing off the gait and conformation of their rides). Older teen boys lead cattle of various breeds and sizes to and from their show ring, talking about weight and sale price. Many of the animals, like much of the handwork in the crafts building, will be sold or auctioned before the fair ends.

Sitting on a bench near the horse stalls, enjoying a treat of ribbon fries, I try to imagine what the fair would be like without all the commercial booths – or at least only with ones related to farming and ranching. There are no representatives of John Deere on the main street. Instead, lines of old cars are displayed, most from the 1920s, including an early fire engine whose siren sounds whenever an ambitious child cranks its handle. What was marketed at the fair when the attendees arrived in those early Fords? Back where I relax in the livestock area, it is not hard to imagine myself in that earlier time.

I suspect there would have been many more teams competing in the draft horse heavy sledge pulls. And many of the contestants would have arrived by horse power, not automobile. Canned goods, instead of being one row of the crafts building, might well have taken up a tent all on their own. The same with sewing and quilting.

I can’t help but feel dismay that our modern preoccupations, if assessed by the balance of items offered up to view at this year’s Fair, have become so faddish. And so mass produced. And so poorly made.

OK, we’re living in a wired age and we are hooked on our technology. So, where are the hand-beaded cell phone covers? Why don’t I see tooled leather cases for laptops? What has become of pride in beautiful, well made, durable crafts to embellish the tools of our modern everyday trades? Why are hand painted Easter eggs, braided rugs and crocheted blankets considered only to be examples of “saving the skills of the past?” How did these arts become locked into traditional forms, instead of adapted to the items most commonly in use today?

In the Vicinity of Acoma

In the Vicinity of Acoma

English: Original lithograph for report of J.W...

English: Original lithograph for report of J.W. Abert of “His Examination of New Mexico in the Years 1846-47” to the Secretary of War (Photo credit: Wikipedia)

The day following my visit to the State Fair, I was escorted by a friend to one of the last places in New Mexico that I wanted – but had not yet made it – to see, Acoma Pueblo. The majority of current tribal members live in two communities in the valley, near Interstate 40 in the western half of my state. According to our guide, only about 30 people (of about 6000 tribe members) still live atop the mesa that is historical (from the 1100s) Acoma. Most of those who do live on the mesa appear to be the potters and practitioners of other traditional arts who market their wares to the groups of visitors escorted on tours coordinated by the tribe.

Our tour guide provided a lively account of the history of Acoma, in an interesting language style which notably did not use standard past tense. “The people were living atop the mesa and were welcoming the first Spaniards to come to their area. Because the straw in the mud coating of their sandstone homes reflected golden in the sun, the Spanish were thinking they had found the mythical Seven Cities of Cibola, so they were demanding that Acoma turn over its gold and, not believing there was none, they began subjugating the people with torture and killings.”

The effect of our guide’s narration was to make his listeners aware of how differently the Acoma people (and most other Pueblo tribal groups I’ve interacted with) perceive time – how intimately their distant history informs their present day lives. The mixture of tradition and history with modern innovation and adaptation is also evident in the Acoma art – mostly finely painted and incised pottery – which was on offer. Some of the artists appeared dedicated to repeating ancient family patterns; others clearly added personal perspectives and made use of new colors and forms, while still reflecting traditional cultural styles. I was delighted with the demonstrated Acoma talent for maintaining art forms yet adapting them to modern needs!

WLA brooklynmuseum Pueblo Acoma Water Jar

WLA brooklynmuseum Pueblo Acoma Water Jar (Photo credit: Wikipedia)

I hope some of my online friends whose work lies in the decorative arts will take up the challenge implicit in my two days of contrasting experience. Can someone run a contest to see how many different “traditional arts” can be adapted to making modern day accessories for our ubiquitous cell phones, laptops and pads? How about a quilted dash cover? A pretty lace wrist strap for the new wearable smart phones? It would be such fun to visit the State Fair again in a few years and, instead of what I overheard one visitor describe as “so much schlock”, see rows of booths offering well-made, hand crafted items of practical use to the modern, hip visitor!

Creativity in a Second Language

September 15, 2013

I’ve started a new class through Coursera – a MOOC – that apparently has close to 125,000 people signed up for it worldwide. Mind boggling to think of that many students going to class together. The topic is Creativity – and in keeping with the course’s intent to promote more creative lives among the students, I’ve joined a subgroup of French speakers enrolled in the class. A challenging way to resurrect my skills with a language which I once spoke and wrote fluently, but which I’ve had little occasion to use in the last thirty years. Since the class is on-line, that means I’m writing French – the most difficult way to use a language skill. Should be an interesting eight weeks!

The first assignment included an option to make a sort of life map – identifying a core value at the center of everything one does, and then listing 3-5 priorities in each area of life, such as family, career, community, etc. I found the exercise relatively easy to do, given that my spiritual path (MasterPath) calls for a consistent effort to examine and process one’s life experiences. But I also attribute some of the ease to age – one doesn’t get to 70 and still engaged with employment, learning and community service, without having examined one’s priorities, and kept tabs on how they evolve over time.

What didn’t get addressed by the Life Ring activity was what I’d call a question of style – how do you, I, we approach daily life? I’m scheduled to facilitate an Alternatives to Violence Project (AVP) workshop with a competent co-leader who is very organized, detail oriented, and most comfortable when every aspect of the workshop is clearly spelled out in advance, including how each activity links to a small number of specific topics. I on the other hand, like to ‘wing it’ for at least part of the weekend. I’ve put together an agenda that includes exercises which can be related to a number of different topics. Part of the challenge – and the learning – that I value in AVP is how it reveals interrelationships that participants have not previously considered. I trust my own skill at helping tie those relationships together, and therefore like to leave room for the unexpected to emerge as the activities are processed.

There’s a lot to be learned co-facilitating with someone whose style differs from mine. Birds of a feather may indeed flock together – but do they learn how to get along with those of a different plumage? We draw reassurance from associating with others like ourselves. We learn and grow when challenged by those with whom we have differences. Which makes the concept of thousands of students from a hundred or more different cultures all joining together to explore creativity a highly innovative concept.

The Francophone subgroup is on LinkedIn, enabling me to check the careers and interests of other members, as they can review mine. Most of those I’ve looked up so far are younger, in business, engineering, industry, very few list teaching, none that I’ve found so far work in social service or health-related careers as I have done. The instructors for the course want the students to find ways to apply the concepts we study to our fields of endeavor, and to work together in teams to develop those projects. I seem to have set myself up to stretch my creativity to the max, finding ways to apply my skills, in a second language, to areas of life with which I have little if any experience! Should be fun…Meanwhile, the course does stress that we all have the capacity to be creative – and that our styles do indeed differ. We have all been asked to take a survey that classifies us along a continuum from adaptively creative to innovatively creative. I come up moderately innovative. I suspect my AVP co-facilitator would land somewhere on the adaptive end of the dimension. I’m realizing, as I write, that by putting on the workshop with her later this month, I will have completed the major assignment of the course – which is to apply the principles of creativity, in conjunction with others, to an aspect of my professional life. Thankfully I don’t have to put on the workshop in French!


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